Thursday, June 5, 2008

Opeth - Watershed (2008, Roadrunner Records)


3 out of 5

Opeth is a band that I used to make fun of, not for what they are or what kind of music they play, but rather, because of a kid that I knew that listened to them. And that's unfair. Because they're actually kind of good...sometimes....and this record is good....sometimes....

Watershed is Opeth's second record for Roadrunner, ninth overall, and first without longtime guitarist Peter Lindgren and drummer Martin Lopez, and I don't want to say it's apparent, because apparently frontman Mikael Akerfeldt has always been the primary songwriter, but there is something different happening here.

The record starts with "Coil," which sounds like a Medieval ballad, and not a very good one, before moving on to the first of the album's 7+ minute songs (6 of the 7 songs on the record are, actually), "Heir Apparent," which is definitely heavy, and has some great parts, but some, like the last 1 1/2 minutes, seemingly come out of nowhere. And, when you're writing a nearly 9 minute song, you want some coherence.

And speaking of nearly 9 minute songs, the next track, "Lotus Eater," is probably the best on the album, blending the band's progressive music-nerd sound with the cleanly sung/articulately growled vocals that they've steadily used more and more on each album. But, about the halfway mark, there's a full-on folk music breakdown that kills the pace of the song, even though it is followed up with an amazing carnival-funk from hell solo/interlude. But, from there, we go to "Burden," a big, slightly epic, slightly awesome and slightly boring, Jethro Tull-ish song (and I like Jethro Tull) that fades out to the sound of guitars being detuned while playing the same riff for a good minute, and "Porcelain Heart," despite starting with a doomy-riff and slo-mo blast beats (and re-visiting that riff throughout), ends up just being 60-75% dull tights-and-tunics folk. I know it seems like I'm hating on folk, which I don't, at all, it just feels completely out of place in this instance.

I want to like this record, I really do, because I really like some of it, and I even gave it plenty of chances, seeing how long it took me to get into their last record, Ghost Reveries, but when it comes down to it, this album isn't great, even if parts of it are.
=james

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